For someone to be involved in it more than a procedural, it has to mean something to somebody.” “The stories that do well have a strong community of family and friends of the victim, so we know what the consequences of the crime are. “There is a bit of a soap-opera quality to it, in the best sense of that word,” says Corvo. No matter the format, however, “Dateline” has some required building blocks.
Since 2019, the show has created seven different podcasts – some original and some in the form of what is known as a “showcast,” or the audio track of an original episode. Video isn’t the only path “Dateline” producers are pursuing. But producers are assigned to keep many of the true-crime stories current, says Corvo, adding new elements if a turn in the case depicted should take place, or tweaking such things as music if it is no longer germane. Some episodes may have been relevant in the past, but are not so now. In a different era, “Dateline” was once a multi-story newsmagazine anchored by Stone Phillips and Jane Pauley, among others.
Not every broadcast is of use in the current environment. Nearly 120 hours of Dateline have aired during any given week this quarter across broadcast, cable and syndication. In the streaming era, however, a significant number of them can be put back into use through playback on some of the cable networks owned by NBCUniversal syndication or a bespoke Peacock streaming channel, where episodes are sometimes curated by topic.
#DATELINE STREAMING ARCHIVE#
In a different era, they would all be consigned to some NBC archive where the occasional producer or researcher might seek out a snippet of old footage. Since launching in 1992, “Dateline” has amassed more than 2,870 episodes. In an era when viewers can often binge their way through old episodes of their favorite programs, “Dateline” can make use of its past work. The shows are also vying with a growing slate of streaming selections centered on true crime that are in rotation in the libraries of streamers like HBO Max, Fox Nation and Netflix. ABC News, for example, has placed more emphasis on two-hour-long episodes of “20/20” in recent years, the better to those programs on Hulu and entice subscribers who might have a yen for movie-length true-crime documentaries.
And it comes as many of the backers of the old-school “newsmagazine” format are experimenting. The effort to expand “Dateline” is taking the program into new frontiers, including podcasts, 24/7 streaming channels and even scripted fare, as seen in the recent NBC limited series, “The Thing About Pam,” which starred Renee Zellweger. We can be a little more leisurely at times.” “We can have a little bit more freedom with pacing. “We don’t have to adhere to limits on minutes,” explains Liz Cole, executive producer of “Dateline” and president of NBC News’ documentary studio unit, in an interview.
#DATELINE STREAMING SERIES#
The new series will aim to recreate the crucial last day of a victim’s life, examining decisions that were made, and the turn of fate that ended up making the difference between life and death.
#DATELINE STREAMING TV#
Soon, one of those will be Peacock, where the show’s producers expect to launch a new “Dateline” format, one that isn’t tied to the rhythms of broadcast TV and will have an almost documentary style to it. “You have to accumulate that number over a number of different platforms.” “You can’t just put your show on broadcast and hope the show’s going to do a big number,” says David Corvo, senior executive producer of “Dateline,” in an interview.
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